Planning a Shoot Around the Light
Arrive before it starts. Golden hour light changes minute to minute and the best of it is often the first ten. Be set up and metered before the window opens, not scrambling into it.
Build the timeline backward. For weddings and events, the couple's portraits belong in the evening golden hour — work the rest of the day's schedule around that block. Our
wedding timeline generator does exactly this.
Blue hour is a second shoot. Don't pack up at sunset. The fifteen to thirty minutes of blue hour that follow are a completely different, and often better, set of frames — especially with any architecture or water in the scene.